Thursday, April 12, 2018

DJJD Volume 37




Created By:  Jonathan Dysart (DJJD)
Original Creation Year:  2017

Song Listing


Side A
1.    Somebody to LoveQueen
2.   S.O.S.:  ABBA
3.    Fake Friends:  Joan Jett & the Blackhearts
4.    Ding Dong, Ding Dong:  George Harrison
5.    Ramona:  Beck

Side B
6.    Passion:  Rod Stewart
7.    I Want to Break Free:  Queen
8.    It Must Be LoveMadness
9.    If You Can't Give Me Love:  Suzi Quatro
10. If You Want My Love:  Cheap Trick

Side C
11. Calling America:  Electric Light Orchestra
12. All My Love:  Led Zeppelin
13. If Not For YouOlivia Newton-John
14. She's in Love with You:  Suzi Quatro
15. I Promise:  Radiohead

Side D
17. Run to Me:  Bee Gees
18. Count on Me:  Jefferson Starship
19. I Believe (When I Fall in Love)Stevie Wonder
      "High Fidelity" Final Scene
20. Ramona (Acoustic):  Beck


Origin of the Album

          An album dedicated to that special someone... 
            

Concept and Theme of the Album

       Song tracks influenced by the movie "Scott Pilgrim vs. the World" [Ramona by Beck - song of the year],  the movie "High Fidelity", the Queen concert in Nashville, Radiohead ["I Promise" - second song of the year], and other personal experiences.
     

Concept and the Album Cover

           Who's the real "Ramona"?

Wednesday, April 11, 2018

DJJD Volume 36




Created By:  Jonathan Dysart (DJJD)
Original Creation Year:  2017

Song Listing


Side A
1.    Let Forever BeThe Chemical Brothers
2.   My Mathematical Mind:  Spoon
3.    Alpha Beta Gaga:  Air
4.    Yoshimi Battles The Pink Robots Part 2:  The Flaming Lips
5.    Glass Candy:  Baron von Luxxury

Side B
6.    Harder Better Faster Stronger:  Daft Punk
7.    Where's Your Head At?:  Basement Jaxx
8.    Stressed OutTwenty One Pilots
9.    The Daily Mail:  Radiohead
10. My Baby's Taking Me Home:  Sparks

Side C
11. Uprising:  Muse
12. Children of the Revolution:  T. Rex
13. CodexRadiohead
14. Legend of a Mind:  The Moody Blues

Side D
15. Venus:  Air
16. Spokey Dokey:  Cowboy Bebop OST
17. This River:  JJ Grey & Mofro
18. When I Paint My MasterpieceThe Band
19. The Ecstasy of Gold:  DJ2Bad


Origin of the Album

          2017!  What a year - both good and bad.  A lot of anniversaries that affected me musically were occurring in this year:  50th anniversary of the Beatles' "Sgt. Pepper" (celebrated by releasing a new remix of the album and the start of the Beatles Channel on Sirius XM); 40th anniversary of the Electric Light Orchestra's "Out of the Blue" (celebrated by re-releasing the album and having ELO and Jeff Lynne placed in the Rock n' Roll Hall of Fame); 20th anniversary of Radiohead's "OK Computer" (celebrated by re-releasing the album with awesome new material).  This was also the 40th anniversary of the release of the original Star Wars film.  
          In world events, there were many anniversaries:  100th anniversary of the Russian Revolution and the U.S. entering into World War I; 500th anniversary of the start of the Protestant Reformation; and (in End Times prophesy) 50th anniversary of the Israelis Six Day War.  But one of the biggest events in 2017 was the first year of Donald Trump as President of the United States and the soap opera events between him and his enemies.
          But personally, this was the 30th anniversary of the creation of my first album DJJD 1987 on cassette (created in March of 1987) and my father's death six months later.  The parallel is striking.  I created this album DJJD Volume 36 in March of 2017 and a month later a major family member passed away.  And this passing affected a person that I really cared for and have not spoken to directly for more than a decade.
           I was an emotional wreck that year.  It felt like history was repeating itself.  So much so, that I made a total of 3 new albums that year, and a revival of this DJJD project.  Instead of making albums for the fun of it, like I was doing for DJJD Volume 33 through 35, I was reverting back to this project by the motivation of more therapy and not just creativity - the drive that started DJJD Volume 1 back in 2001. 
            

Concept and Theme of the Album

         I honestly was not thinking much about anniversaries initially when making this album.  Most of it was motivated by the increased stress of work and the American political events with Trump.   Like DJJD 1987, it was the events of family funerals that happened later that put this album on my mental map forever.                             I wanted to go to a new direction musically, having less traditional classic rock/pop on the album, just like I did with DJJD Volume 34.  Radiohead was heavily influenced by this album in terms of style and tone.  There is not a centralized theme as done before, but sections of it had their own separate themes:  Side A - 21st-century electric rock medley;  Side B - the stress of work and how to handle it;  Side C - a pro-Trump / anti-establishment message;  Side D - personal retrospective.
     

Concept and the Album Cover

           I wanted to find a surreal picture of being "plugged into" the computer since my computer career was starting to become more stressful even though the company is great.   I found the picture of a skull connected to computer wire applicable.  The back album cover is simple with the use of green font, symbolizing computer text and a nod to "The Matrix".

Wednesday, April 4, 2018

DJJD Volume 35



Created By:  Jonathan Dysart (DJJD)
Original Creation Year:  2015

Song Listing

Side A
2.    Come on, Come On:  Cheap Trick
3.    Year of the Cat:  Al Stewart
4.    Fernando:  ABBA
5.    Stumblin' In:  Chris Norman and Suzi Quatro

Side B
6.    Day After Day:  Badfinger
8.    Those Were the Days:  Mary Hopkin
9.    Dream a Little Dream of Me:  The Mamas and the Papas
10. Girl from the North Country:  Bob Dylan & Johnny Cash

Side C
11. Time:  Alan Parsons Project
12. Remember [David Whitaker Version]:  Air
13. She:  Jeff Lynne
14. Going Home:  The Idle Race
15. Voices:  Cheap Trick

Side D
17. Playground Love:  Air
18. I Started A Joke:  Bee Gees
19. All That I Got (I'm Gonna Give It To You)Billy Preston
20. You Light Up My Life:  Debbie Boone


Origin of the Album

          I made this album on a special time in 2015.  I was fired from my second computer consulting firm.  I have never experienced not having a job for years; it was unique.  This lasted for a little more than a month.  The first two weeks I was restless, not use to "not working".  How did people last a month like this?  The third week I started settling down, and it was the most calm week I have experienced in years.  No recent vacations have I been like that.  
          Eventually, by the grace of GOD, I was offerred a new job.  But in that calm week, I made this album.  The only track relevant to this experience was the first track "Gotta Get Up" by Harry Nilsson.  Besides that, the rest of the album was... whatever.  The lifestyle of Big Lebowski was very previlant.
            

Concept and Theme of the Album

         As I mentioned above... whatever.  The major influence would be Jeff Lynne on Side C.  The other influences was DJJD Volume 32 and DJJD Volume 33
     

Concept and the Album Cover

           The front album cover is what this album represents - calm and relaxation.  Simply a park bench.  Enough said.  The back album cover is just a sepia version of the front album cover.

DJJD Volume 34




Created By:  Jonathan Dysart (DJJD)
Original Creation Year:  2013
Year of Re-master:  2016

Song Listing

Side A
1.    The Yeah Yeah Song:  The Flaming Lips 
2.    Goofing Off:  Sparks
3.    Bliss:  Muse
4.    Don't Be Light:  Air
5.    Free Four:  Pink Floyd

Side B
6.    Heroes and Villains:  The Beach Boys
8.    The SliderT. Rex
9.    For the Summer:  Ray LaMontagne
10. Home from Home:  Stealers Wheel [original version does not exist]

Side C
11. Randy Scouse Git:  The Monkees
12. Oh! You Pretty Things:  David Bowie
13. Ride a White Swan:  T. Rex
14. Far Far Away:  Slade
15. So Long Dad:  Harry Nilsson

Side D
16. Nothing Rhymed:  Gilbert O'Sullivan
17. Rajah Khan:  Renaissance
18. For Every Man:  Roger Hodgson [original version does not exist]
19. West Coast:  Coconut Records


Origin of the Album

          Two years have passed since I created a new album - the longest gap since the creation of DJJD Volume 1 and DJJD Volume 2.  Things have calmed down a bit - however.  Work at my second computer consulting firm is beginning to become just as stressful and painful as it was in my first computer consulting firm, where most of my albums were influenced by.  A time to vent in a creative sense was needed.  Instead of making a "work sucks" album, I went into a more artsy direction - trying to expand my experience of album creating passed the typical classical rock / alternative rock genre.  It's this same approach I took with the future DJJD Volume 36 and what I deemed the direction the band Radiohead did after their famous album OK Computer.

         It started with a handful of tracks I saved up from purchases of Amazon and ripps from YouTube.  Those include "The Yeah Yeah Yeah Song" by The Flaming Lips, "Bliss" by Muse, "Heroes and Villians" by The Beach Boys, and "Rajah Kahn" by Renaissance.  What really took off this album was the discovery of the cult / alternative band Sparks, coming from my research on glam rock for DJJD Volume 26.  Now I am a fan of their work, which will be used a lot in future albums.  Even my younger neice loves their song "Goofing Off".
            

Concept and Theme of the Album

         Just like DJJD Volume 33, the album has no distinct concept or idea.  It has been artfully integrated - no obvious concept or meaning.  Just art itself! 
     

Concept and the Album Cover

           The front album cover is taken from an artist rendition of Franz Kafka's "Metamorphosis".  Here is some cliff notes on this great short novel.  Here is another thug notes.  The back album cover is another great surreal picture.  Once again, art itself!

DJJD Volume 33



Created By:  Jonathan Dysart (DJJD)
Original Creation Year:  2011
Year of Re-master:  2016

Song Listing


Side A
1.    If It Wasn't For Bad:  Elton John & Leon Russell 
2.    Grey Seal:  Elton John
3.    Sour Milk Sea:  Jackie Lomax
4.    Name Of The Game (Earlier Version):  Badfinger
5.    Goodbye:  Mary Hopkin

Side B
6.    She's a Rainbow:  The Rolling Stones
7.    She Don't Use Jelly:  The Flaming Lips
8.    Think About Your Troubles:  Harry Nilsson
9.    Surfing on a Rocket:  Air
10. Something In The Air:  Thunderclap Newman

Side C
11. Fire:  Crazy World of Arthur Brown
12. Devil Woman:  Bruce Willis & the Accelerators
13. Constipation Blues:  Screamin' Jay Hawkins
14. Oh Woman, Oh Why:  Paul McCartney
15. Long As I Can See the Light:  Creedence Clearwater Revival

Side D
16. Still The Same:  Bob Seger & the Silver Bullet Band  [original version blocked]
17. Nocturne:  Billy Joel
18. A Spaceman Came Travelling:  Chris De Burgh
19. Remember:  Harry Nilsson
20. My Oh My:  Slade


Origin of the Album

          Music at this time was not my focused media.  To create an album was more of just a creative project instead of needing to express myself emotionally or otherwise.  There was some songs here and there that were on my mind and a queue.  But it was the song "Grey Seal" by Elton John, played on a local news radio show, that sparked the creative juices once again.  
            

Concept and Theme of the Album

         This time, the album has no distinct concept or idea.  It was just a bunch of songs that were cohesive and merged organically as an album.  There is a Beatles influence ("Sour Milk Sea", "Name of the Game", "Goodbye", "Oh Woman, Oh Why", and "Think About Your Troubles") and some Blues influence (mainly from tracks on Side C).  Side C also includes the great Blues track from Bruce Willis, during his "Sin City" film debut party, and a funny track "Constipation Blues" that my two neices loved to listen and laugh to.  It was just a fun album to make - just for the sake of it. 
     

Concept and the Album Cover

           The Rolling Stones track "She's a Rainbow" was on my mind, while looking through Google for some surreal pictures.  I found this picture for the album cover and it just fits.  I tend to use surreal pictures when the album does not have a distinct concept (like DJJD Volume 18).  The back cover is a reflection of a vinyl record, which I photographically manipulated for a more pleasing look.